Sogetsu Kaikan – where the headquarters of the Sogetsu Foundation are located in Tokyo– will host, through 22nd July, a selection of finalist works from the third edition of LOEWE FOUNDATION’s annual Craft Prize, including the winner of the contest, a spectacular piece entitled Surface Tactility # 11 (2018), by Genta Ishizuka.
A prestigious jury made up of specialists as renowned as Anatxu Zabalbeascoa, Jennifer Lee, Naoto Fukasawa, and Patricia Urquiola, selected Ishizuka’s work from a total of 29 finalists. For many years, the pieces created by this Japanese artist, who graduated from the Kyoto University of Arts & Design, have been showcased in numerous individual and collective exhibitions around the world. He has also earned a spot in the permanent collections of the Minneapolis Institute of Art and the Victoria & Albert Museum in London.
On view in Tokyo are two other pieces that had been awarded honourable mentions by the jury: `Untitled´ from Dichotomy Series (2018) by Harry Morgan and KADO (Angle, 2018) by Kazuhito Takadoi. These and other finalist works are on display at Isamu Noguchi’s indoor stone garden ‘Heaven’, inside the Sogetsu Kaikan building.
Jonathan Anderson, LOEWE’S Creative Director, established the LOEWE Foundation Craft Prize to highlight the firm’s artisanal roots and relevance in modern design; it was conceived out of a desire to acknowledge these important contributions. From jewellery, wood, and glass to stationery and lacquer – among other specialties- the works that make up the exhibition underscore what is relevant in craft today. An exemplary sample that will be on show for just a few more days.
LOEWE Foundation Craft Prize, until 22nd July. Sogetsu Plaza, 2-21, Akasaka 7-chome, Minato-ku, Tokyo (10 a.m. to 6 p.m. Friday until 8 p.m.)
Photo Captions: LOEWE Foundation Craft Prize at Sogetsu Kaikan.