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CASA LOEWE, located in the heart of the Salamanca district in Madrid, is the largest and first flagship in Spain that follows the new store concept introduced by Jonathan Anderson and presents a selection of works from the LOEWE FOUNDATION Art Collection.
“I was involved in all aspects down to small details, technical things and every material used”, says Anderson. “It’s a very important project to me, because It is about reconnecting with where LOEWE is from.” A serene backdrop of warm neutral materials, serve to offset original British antiques, an important selection of artworks, and LOEWE’s vast product offering.
Among the art chosen by Anderson and acquired especially for the space are Works by Edmund de Waal, Richard Smith, Gloria García Lorca and perhaps most prominently, a wall-spanning handpainted aquatint print by Sir Howard Hodgkin on the theme of past present future.
“Everything we’ve been working on for the last couple of years comes together here. It’s not a culmination, because we are continually opening chapters, it’s where we are now and what the future will be”.
CASA LOEWE is located at the intersection of Goya and Serrano streets.
Photographs: “As Time Goes By (Orange)”, unique sugar-lift aquatint with carborundum relief on five hand torn sheets of 35gsm Moulin du Gré paper, by Sir Howard Hodgkin (2009-2014). Courtesy of Howard Hodgkin and Alan Cristea Gallery and photographed by Peter White, London. “Both Halves (A)”, acrylic and oil on canvas (2parts) by Richard Smith (1977). Courtesy of Gazelli Art House and photographed by Peter Mallet. “Sonatas and Interludes”, porcelain vessels with gilding, plaster blocks in aluminium and plexiglass vitrines, by Edmund del Waal (2015).
This past October, and for the third year in a row, Aprendanza has brought teachers, artists and social workers together: agile minds who believe in education and yearn to increasingly add more dance into their lives. The event was held at the facilities of Spain’s Compañía Nacional de Danza (CND), Matadero Madrid and the Ballet Nacional de España. José Carlos Martínez, Artistic Director of the CND, continues to be fully committed to the educational part of his artistic management responsibilities and thanks to the support of the LOEWE FOUNDATION, projects such as this one can become a reality.
The CND’s artistic team welcomed more than 180 participants hailing from all over the country; among them, 65% were educators at primary schools, high schools or universities.
For three consecutive days, they took part in the many activities that had been organised including a number of workshops. They also got to enjoy a rehearsal of the Don Quijote ballet, which is repeating the successful run it enjoyed after last year’s premier at Madrid’s Teatro de la Zarzuela (performances until 18th December).
The CND dancers, Elisabet Biosca, Agnès López Río, Antonio de Rosa and Mattia Russo, together with the company’s Ballet Master, Anael Martín, also lead some of the #Aprendanza activities.
Thanks to everyone who made this happen –the organisers and hosting companies, the professionals leading the activities and all the participants of this latest #Aprendanza edition– the interest in this activity continues to grow, by incorporating dance into the lives of the younger generations and thus making their education much richer.
Photographs: #Aprendanza 2016 workshops at the CND © Paco Gómez, 2016.
“LOEWE: Past Present Future” runs through 9 December 2016 at the Villanueva Pavillion, a former greenhouse at Madrid’s Real Jardín Botánico. Built in 1781, it is the most emblematic structure in the royal gardens located next to the famous Prado Museum.
An innovative display system of large acrylic glass boxes shows one-of-a-kind pieces from LOEWE’s archives, exemplyfing the brand’s unión of advanced leather craft and pure functional design, while walls and floors are covered with images evoking the rich history and current momentum of the house, all taken from the new LOEWE book edited by Luis Venegas.
A second section is devoted to 13 color photographs of flower arrangements by Steven Meisel, indicative of the photographer’s special ongoing relationship with LOEWE. Inspired by the life and work of British pioneer Constance Spry –whose unconventional approach, quick mind and irrepressible spirit innovated international floral design in the 1930-50’s- the simultaneous simplicity and exuberance of these images represents the fresh dynamism of LOEWE today.
To celebrate LOEWE’s reinforced presence in the city where it was born 170 years ago, this exhibition opens to the public, encouraging the people of Madrid to rediscover their brand and explore LOEWE’s ever evolving, multi-dimensional character. Among other unique gifts and souvenirs, the new 592-page LOEWE book –spanning the entire history of the house- and a special 2017 calendar with Steven Meisel’s “Flowers” series will be for sale at the exhibit shop.
“LOEWE: Past Present Future” runs through 9 December 2016 at the Real Jardín Botánico, 10h-17,30h.
Photographs: Flowers (August) by Steven Meisel and Past Present Future (2016).
La lengua de los otros, written by author, musicologist and reporter José Ramón Ripoll (Cádiz, Spain, 1952) has won the 29th LOEWE FOUNDATION International Poetry Prize. The jury, presided by Víctor García de la Concha and made up of members Francisco Brines, José Manuel Caballero Bonald, Antonio Colinas, Soledad Puértolas, Víctor Rodríguez Núñez, Ana Rossetti, Jaime Siles and Luis Antonio de Villena, highlighted the enigmatic relationship between the different sections of the book and its magnificent formal structure, as well as the excellence of its poems. Sergio García Zamora, born in 1986 in Santa Clara (Cuba), won the LOEWE Young Poets Prize for El frío de vivir, a book that shows the author’s knowledge of prose and verse poetry, by means of his most singular perception of the world.
The LOEWE FOUNDATION International Poetry Prize is awarded annually to a book of poems of at least 300 verses and the Young Poets Prize to an author under the age of 30. In addition to the cash prize, the winning books are published by Colección Visor de Poesía. Out of the 779 manuscripts sent from more than 31 countries, 27 finalists were chosen. A total of 23% of entries coming from America were mainly from Mexico, Argentina and Colombia, while Madrid, Barcelona, Valencia and Seville were at the top of the list of cities for Spanish entries.
On Tuesday 8th November, the Jury announced the winners. Following the welcome speech delivered by LOEWE FOUNDATION Director Sheila Loewe and the reading of the verdict by Víctor García de la Concha, the winner of last year’s prize, Víctor Rodríguez Núñez, presented El frío de vivir. A book where, he argued, “themes are interwoven, appearing and disappearing, just like in our thoughts, just like in life itself.” He also highlighted the mastery García Zamora shows through the use of expressive resources and a poetry that is “autonomous but not uninvolved; participative but not political.”
Poet Jaime Siles referred to the book of poems La lengua de los otros as “an intense and profound book that is rather intimate for us readers of a certain age”. Ripoll himself, who was present when the verdict was announced, said his book “is painful but incredibly enjoyable,” and explained that “in part, it refers to the imposed language I must use in order to communicate with others. I play with that double meaning, which is then revealed at the end.” He also thanked the LOEWE FOUNDATION for supporting and sponsoring poetry because, in his words, “although people might not give it the importance it deserves, it is in fact of vital importance; it’s crucial in order to keep words alive because that’s how we fight against forgetting, against amnesia.”
The award ceremony and official presentation of the books will take place in March 2017.
Photographs: José Ramón Ripoll and the Jury of the LOEWE FOUNDATION International Poetry Prize © Álvaro Tomé for the LOEWE FOUNDATION.
The Compañía Nacional de Danza (Spain´s National Dance Company) that José Carlos Martínez directs and whose official sponsor is the LOEWE FOUNDATION, begins a new and exciting season packed with projects.
In addition to welcoming new members, four dancers who had performed leading roles in previous seasons have been promoted. Isaac Montllor is now a CND principal dancer and three other members of the Corps de Ballet -Aída Badía, Lucie Barthélémy and Elisabet Biosca- are soloists.
Montllor, who was born in Alcoy (Spain), joined CND 2 in 2002 while it was under the direction of Nacho Duato and Tony Fabre and, since then, has only been away from the troupe during the year he spent in Montreal’s Les Grands Ballets Canadiens. “I am extremely grateful,” says the dancer regarding his promotion, “because it is a form of recognition of my dance and self-expression; of the way I tell a story.” Last season, the public saw this dancer perform in different leading roles, including Jose’s in Johan Inger’s Carmen and Don Quijote’s in the ballet of the same name, which the CND premiered in Madrid’s Teatro de la Zarzuela in December 2015.
Prior to joining the CND in 2012, French ballerina Lucie Barthélémy was a member of the Bavarian State Opera Ballet (Munich). Lucie beams when she says, “at 30, and after 11 years as a dancer, I can honestly say this is the most amazing thing to happen to me professionally… a reminder that there is no specific moment or age when one stops growing.” Lucie has performed the leading role in Raymonda and in Don Quijote –as Dulcinea– among many others.
Aída Badía, who comes from Santander (Spain), joined the CND in 2012. Prior to that, she participated in a number of projects with some of the most prestigious choreographers in the world. Her artistic versatility made it possible for her to participate, as an example, in two Carlos Saura films: Iberia and Fados. Worthy of mention, among many accomplishments, is Aida’s participation in José Carlos Martínez’s Don Quijote as Mercedes or in the Herman Schmermann pas de deux by William Forsythe. “I am very grateful for the recognition my work has received over the past four years. This is a career that forces all of us to give our best day in and day out and it is very motivating to see our work being recognised,” says the ballerina.
Last season, Elisabet Biosca, who joined the CND in 2010, performed Lady Capulet in Goyo Montero’s Romeo & Juliet, the lead in Carmen, and other starring roles in pieces from the company’s repertoire. This ballerina, who hails from Barcelona (Spain), had previously performed with the IT Dansa Jove Companya de Catalunya, from L’Institut del Teatre. Independently, Elisabet has appeared in a number of short dance films and now, following this promotion, she is “motivated and extremely happy to begin this new adventure because of all the artistic challenges that will come my way”.
This season promises to be an exciting one for the CND and its dancers, who grow artistically by the day and who have Jose Carlos Martinez’s complete trust to carry out his vision. Slowly but surely, the public is getting to know the members of the company who are responsible for its success.
Photographs: Isaac Montllor as Don Quijote and Jesús Florencio as Sancho Panza, Lucie Barthélémy and Aída Badía in Don Quijote. Elisabet Biosca in In Transit © Jesús Vallinas for the CND.
The LOEWE Craft Prize, supported by the LOEWE FOUNDATION and the leading luxury house that began as a collective of craftsmen, wishes to recognise contemporary artisans whose talent, vision and specialised skill will set a new standard for the future.
This annual award is given to the maker of an outstanding work of craftsmanship, selected in competition among entries from around the world. Since the announcement, the award has attracted numerous submissions and the attention from the international art and design community.
The LOEWE FOUNDATION now reveals the winner´s trophy designed by acclaimed British silversmith Alex Brogden, a double bowl inspired by the interaction of the elements with the earth. Brogden’s work has been exhibited internationally and is held in important collections, including that of London’s Victoria and Albert Museum.
All submitted works are required to combine an innovative application of their craft with an original artistic concept within any applied arts area, including but not limited to ceramics, jewelry, lacquer, metal, furniture, textiles and glass.
The winner, selected by a Jury of distinguished figures from the worlds of design, architecture, journalism, criticism and museum curatorship, will receive 50,000 Euros in cash and be highlighted in the ‘LOEWE Craft Prize 2017’ exhibition and catalogue, which will be on display worldwide, along with the works of the 14 finalists selected by an Experts Panel.
Competition for the prize is open to any professional artisan over the age of 18. Entries are being accepted until 7 November.
Registration, info and requirements can be found at www.loewecraftprize.com
Photographs: LOEWE Craft Prize trofeo, by Alex Brogden, 2016.
The support that the LOEWE FOUNDATION gives dance has crystallised, once again, in the ballets that will be performed next season at Madrid’s Teatro Real and Barcelona’s Gran Teatre del Liceu. Two opera houses that have made space for a number of companies from all over the world so that they may showcase the best of their repertoires.
In December, the ballet Coppélia, performed by the National Ballet of Uruguay (Ballet Nacional SODRE), will occupy the Barcelona stage with an emblematic Enrique Martínez version that is respectful of the choreographic tradition and the E.T.A. Hoffman original story it is based on. This dance company, under the direction of Argentinian dancer Julio Bocca will perform accompanied by the Liceu’s Resident Orchestra under the direction of conductor Martín García. Starting in January 2017, the Jove Companya de L’institut del Teatre will provide the counterpoint by putting its dancers to the test in a contemporary programme that includes Wad Ras by Montse Sánchez and Ramón Baeza, Un Ballo by Jiří Kylián, and Minus 16 by Ohad Naharin.
Shortly after, in February, the Prejocaj Ballet that the French choreographer by the same name directs, will visit the Barcelona stage for the first time and perform two ballets that are representative of the most committed and brave of their pieces. Spectral Evidence, with score by John Cage, envelops the stage in a ghost-like atmosphere while La Stravaganza, alternating between Vivaldi and contemporary composers, creates a mosaic of transitions on stage inspired by US immigration.
In January, Le Corsair, choreographed by Frenchman Manuel Legris and based on Petipa’s original, will open the 2016-17 season at Madrid’s Teatro Real. The Wiener Staatsballett that Legris directs revisits this classic inspired by the famous Lord Byron poem with an almost traditional Russian vision that combines men’s virtuosity and strong feminine performances together with a dose of adventure and action. The costume designs and sets are by Luis Spinatelli and the Teatro Real Resident Orchestra will be led by Valery Ovsyanikov.
Moving into April, Spain’s Compañía Nacional de Danza (CND) will dedicate an entire evening to American choreographer William Forsythe. José Carlos Martínez, the CND’s director, has chosen three pieces that showcase Forsythe’s modern and eclectic vision as well as the profound respect Martínez has for the artistic roots of this American artist: The Vertiginous Thrill of the Exactitud, Artifact Suite and Enemy in the Figure. In June, the Martha Graham Dance Company will celebrate its 90th anniversary with two programmes that include not only some of the most representative pieces of this American choreographer –such as Deaths & Entrances, Cave of the Heart or Maple Leaf Rag– but also a piece by Nacho Duato titled Rust.
Together, these companies will provide a wide range of options to captivate the audience with first class performances throughout the season.
Photographs: Coppélia by the National Ballet of Uruguay/SODER ©Santiago Barreiro. Spectral Evidence by the Prejocaj Ballet ©JCCarbone. Le Corsair ©by the Wiener Staatsballett.