Pale, Shadowed Speckled Traces, Fading Elipse, Bronze Specks, Tilted Shelf by Jennifer Lee was chosen from the shortlisted thirty finalists as the winner of the LOEWE Craft Prize 2018. The prize was launched to celebrate excellence, artistic merit, and creativity in the contemporary craft landscape and this year’s recipient was Jennifer Lee (born in Aberdeenshire, United Kingdom, in 1956), a Scottish potter who studied at the Edinburgh College of Art and the Royal College of Art in London. The winning piece –made of stoneware clay mixed with natural oxides– together with the finalist works will be on display in an exhibition at the Design Museum in London until 17th June.
LOEWE Creative Director Jonathan Anderson, the person behind the prize, remarked at the time of its launch that “craft is the essence of LOEWE. As a House, we are about craft in the purest sense of the word. That is where our modernity lies, and it will always be relevant”. For the Jury’s Chairwoman, Anatxu Zabalbeascoa, this year’s finalists –whose age ranged from 26 to 76– represented “a multigenerational snapshot of the utmost excellence in craft today”. Zabalbeascoa also said that the thirty shortlisted artists “reflect an almost alchemical manipulation of each medium’s possibilities and reward those who have mastered traditional skills in order to transform them for the contemporary age”.
Since it was established, the Design Museum in London, one of the world’s leading centres devoted to architecture and design, has welcomed more than five million people and staged over 100 exhibitions with objects from a wide range of fields including fashion and graphic design. The museum is located in a landmark modernist building in the heart of Kensington that was remodelled by architectural designer John Pawson. Its halls will be showcasing the thirty LOEWE Craft Prize finalist works, including the winning piece, and two special mentions given by the Jury: Tea Bowl, by Japanese potter Takuro Kuwata (Hiroshima, 1981) and Croissance XL (XL Growth), by French textile artist Simone Pheulphin (Nancy, 1941). The LOEWE Craft Prize 2018 believes that all finalists have significantly contributed to the development of modern craftsmanship and, as such, will document the legacy of the exhibition in a special catalogue that will include all their works.
LOEWE Craft Prize 2018. Design Museum, London. From 4th May to 17th June 2018 [open daily from 10 a.m. to 6 p.m].
Photo Captions: LOEWE Craft Prize 2018 in the Design Museum London.
The Squash, an immersive installation by artist Anthea Hamilton, is the latest in a series of contemporary commissions for Tate Britain’s Duveen Galleries which address the heritage of the space as a sculpture gallery . Hamilton has transformed the heart of Tate Britain into an elaborate stage inhabited by a single character who will perform in the space for six months. Over 7,000 white tiles have been laid to span the length of the Duveen and encase a series of structures that serve as plinths for a number of works of art from Tate’s collection.
Anthea Hamilton –renowned for her bold and humorous works that often include references from the worlds of art, fashion, design and popular culture- has designed seven costumes in collaboration with Jonathan Anderson, LOEWE’s Creative Director, that incorporate the colours and the shapes of different varieties of squash or pumpkin; many of the silhouettes of the costumes, made with materials such as hand-painted leather or painted silk crepon, were inspired in designs from the 1970s. Each day, performers will select a costume that will inform and reflect their individual presentation of the character as they move around the space.
Alex Farquharson, Director of Tate Britain, said that Andrea Hamilton ‘has made a unique contribution to British and International Art with her visually playful works that both provoke and delight. This compelling commission demonstrates her ability to seamlessly weave together captivating images and narratives, creating rich and innovative environments in which to encounter works of art.’
Tate Britain Commission 2018: Anthea Hamilton is curated by Linsey Young (Curator of Contemporary British Art, Tate) and Sofia Karamani (Assistant Curator of Contemporary British Art, Tate).
From 22nd March to 7th October 2018. Open daily from 10 a.m. to 6 p.m. More information at www.tate.org or follow us on @Tate #AntheaHamilton. Sponsored by Sothebys.
Photo Captions: Tate (Seraphina Neville) 2018. Fibreglass head covered in green stretch fabric with ruffles and gold sequins. Jersey gauze tracksuit with ruban in gold sequin. Reconstructed leather braided cord cod piece.
This Christmas, LOEWE presents a collection inspired by the work of legendary British textile designer, artist, and writer William Morris (1834 – 1896). LOEWE obtained special access to the Morris & Co archives from which Creative Director Jonathan Anderson selected original prints featured on a wide range of menswear and womenswear pieces
Strawberry Thief, Forest, Acanthus and Honeysuckle, four striking prints conceived between 1874 and 1883 for wallpaper or fabrics, were selected by Anderson and placed by LOEWE’s creative team on jackets, T-shirts and suits as well as on some of the firm’s most popular accessories: the Puzzle and Hammock bags. Other pieces featuring the prints are scarves, brooches and backpacks.
Morris is considered one of the main contributors of the Arts & Crafts movement, which emerged in response to the concern of a group of architects, designers and artists over the precariousness of traditional British craftsmanship when faced with the unstoppable industrialisation of society. His defence of handmade pieces over those that were mechanically produced, was due to aesthetic as well as ideological reasons.
‘William Morris fundamentally changed the way we look at applied craft, making him one of the most important designers of the last 200 years,’ Anderson explains. This capsule collection reinterprets classic 19th century prints inspired by nature in combination with surprising and irreverent elements used in punk aesthetics. This can be seen in the recurring bright orange details and in the bleached denim pieces whose abstract pattern references the classic vocabulary Morris used, but in an innovative and contemporary way.
Photo Captions: Acanthus, William Morris. Capsule Collection Autumn Winter 2017, photographed at Standen House, West Sussex, England. Strawberry Thief, William Morris.
The LOEWE FOUNDATION presents the third exhibition in its Chance Encounters series, bringing together artists from various disciplines in order to explore unexpected conversations. This year, Sara Flynn, Richard Smith and Lionel Wendt present their works at the LOEWE Miami District store, which was designed around a monumental 18th century granary. “Art and craft are at the centre of my creative process and these exhibitions are an exciting way of exploring artists that are important to me”, says Jonathan Anderson, LOEWE’s Creative Director.
For this edition, Irish ceramist Sara Flynn has been commissioned to produce a new body of ceramic work inspired by the space and materiality of the granary, which was brought over from Portugal and rebuilt stone by stone. Despite using a wheel to throw her pots, her subsequent interventions result in complex and irregular shapes that challenge our reading of the vessels, bringing them into closer dialogue with the language of sculpture. Flynn was one of the 26 finalists of the first LOEWE Craft Prize.
Richard Smith was one of the most original artists of his generation. He emerged in the late 1950s and became known for works that challenged the accepted traditions of painting. His 1975 work Shuttle will be exhibited soaring above the LOEWE store granary. Specially commissioned for the Tate that same year, the installation is comprised of a series of coloured canvases stretched across aluminium rods reminiscent of tent structures. Smith’s work ‘Both Halves (A)’ was acquired by LOEWE in 2016 and is currently displayed in the firm’s Madrid flagship store.
The renowned photographer Lionel Wendt, who was originally trained as a concert pianist, took up photography later in life after studying in the UK. He created a ground-breaking body of work documenting life in his home country of Ceylon as well as homoerotic portraits that were considered radical at the time. After his premature death in 1944, most of his negatives were destroyed. However, his prints were rediscovered in the 1990s and he is now considered one of the key proponents of modernist photography. His work was presented as part of the setting for the LOEWE Fall 2017 collection at the Unesco building in Paris.
Chance Encounters III. From 4th December 2017 to 4th February 2018. LOEWE Miami Design District, 110NE 39th Street, Suite #102. Miami, Florida (USA).
Photo Captions: Chance Encounters III © Naho Kubota
The LOEWE FOUNDATION continues to demonstrate its international commitment to artistic craftsmanship with the traveling exhibition of the 26 LOEWE Craft Prize finalist works, whose next stop is Tokyo´s 21_21 Design Sight. The building designed by architect Tadao Ando will house the exhibit until 30th November.
Among the more than 3,900 participants, the Experts Panel selected these works that include ceramics, textiles, paper, jewellery, furniture and glass. A collection that shows an innovative reinterpretation of traditional techniques through the personal and unique work of each artist.
LOEWE Craft Prize. Until 30th November in 21_21 Design Sight, Tokyo (Japan). Midtown Garden, Tokyo Midtown, 9-7-6 Akasaka, Minato-ku (Monday to Friday from 10 a.m. to 7 p.m.
Photos: Loewe Foundation Craft Prize, 21_21 Design Sight Tokyo (Japan).
On April 10th, the winner of the first edition of the LOEWE Craft Prize was announced at COAM (Colegio Oficial de Arquitectos de Madrid). The piece ‘Tree of Life 2’ by Ernst Gamperl, born in Germany in 1965, was selected as the winning entry among 26 finalists evaluated by a distinguished jury composed of leading figures from the worlds of design, architecture, journalism and museum curatorship.
The Jury also agreed upon giving two special mentions.
One special mention to Yoshiaki Kojiro: ‘The jury recognised the exercise of research, embracing risk and innovation by mixing materials to achieve a shape that is ultimately a structure of experimentation.’
Another special mention to Artesanías Panikua. The statement from the jury explains: ‘The second special mention is for a piece capable of arousing feelings before one even begins to rationalise it. Apart from its emotional impact, the piece speaks of a collective cultural legacy, demonstrating that craftsmanship with artistic ambition should have no material limits; straw can be just as important as gold.’
All 26 finalists of the LOEWE Craft Prize are being featured in an exhibition held at the COAM in Madrid. Exhibition open from April 11 to May 9, 12:00 to 20:00. More information on loewecraftprize.com. Follow us on instagram @loewefoundation
More information on loewecraftprize.com. Follow us on instagram @loewefoundation